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| Released: 1989 |
| Highest Chart Position:2 |
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| Song For Whoever: |
| The opening track of this album is an ironic piano ballad featuring Paul and Dave on vocals. It starts a Beautiful South trend of songs slating the music business. This was released as the band's first single. |
| Have You Ever Been Away?: |
| A faster track than 'Song For Whoever', notable for Paul's falsetto and a solo by Briana. |
| From Under The Covers: |
| A very Housemartins-sounding track, the record company wanted this to be the first single, but Paul refused due to the aforementioned Housemartins link. My personal favourite for this album. |
| Sail This Ship Alone: |
| A very Housemartins-sounding track, the record company wanted this to be the first single. Paul refused due to the aforementioned Housemartins link. My personal favourite for this album. |
| Girlfriend: |
| A cover of the Pebbles track. Noticebly different to the rest of the album, and a vast improvement on the original. |
| Straight In At 37: |
| The second song on the album to slate the music business. Good fun, and an 'interesting' chorus. |
| You Keep It All In: |
| The third single from the album. Briana takes lead vocals on the first verse. It was also recorded without lyrics and released as the B-Side 'It's Instrumental'. |
| Woman In The Wall: |
| A live favourite, great instrumental section at the end with a shimmering African guitar, thumping bass and great drumming. |
| Oh Blackpool: |
| A forgettable yet catchy filler, a mixture between the Housemartins and The Beatles. Hear it to believe it... |
Love Is: |
| The third music-slating song, running to an epic 7 minutes. |
| I Love You (But You're Boring): |
| An original song, but its B-Side origins show through and it is a poor finale compared to the rest of the album. |
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