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| Released: 1996 |
| Highest Chart Position:1 |
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| Don't Marry Her: |
| Back on form after the sometimes hit and miss Miaow, this solo by Jaqui was released as a single after a few of the more risque lyrics were changed... < |
| Little Blue: |
| A less upbeat song than the opener, but still top quality, and it's great to hear Dave back after his strange absence on Miaow. |
| Mirror: |
| Another solo from Jacqui with some interesting prostitute based lyrics. |
| Blackbird On The Wire: |
| A mournful ballad sung by Paul, very emotional. Good, but not single material, and it wasn't overly successful when released. |
| The Sound Of North America: |
| Another sad song about homelessness. The brass solo is very good. |
| Have Fun: |
| Lots of people say this is the best on the album. I'm not entirely convinced, but its still a very good song. |
| Liar's Bar: |
| Now this is a high point. Paul remoulds his normal voice into a gravelly Tom Waits style rasp for this great song. Melodically its not impressive, but lyrically its great and scores highly on originality. Released as a single. |
| Rotterdam: |
| Another solo from Jacqui, this is one of those South songs that everyone knows. Released as a successful single. |
| Foundations: |
| Almost a tribute to the Housemartins, this fast, catchy solo from Dave is one of my favourites on this album. A great guitar solo towards the end. |
Artificial Flowers: |
| A cover of an incredibly sentimental musical song, I can't really see why they bothered with this. It's well done, but the sentimentality really gets you... |
| One God: |
| After the temporary blip of the last track, we're back on course for a great climax with this penultimate song. |
| Alone: |
| Rounds off a very good album very well. Great lyrics and a doleful perfomance from Paul. Possibly their best album ending so far. |
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